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Does the thought of singing in public send your stomach down to your feet? If the word "karaoke" conjures feelings of dread, you probably need a little "prep work" before you hit the stage.

Part 1
Part 1 of 2:

Practicing Your Karaoke Style

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  1. In Japan, they call it "juhachiban", "#18" in South Korea and "banquet song" in Hong Kong, but you can just call it "the song you're going to be totally awesome at". You might be tempted to pick an obscure song that you're really passionate about, but when you're starting out, try to pick a song that many people are familiar with and enjoy. The audience will have more fun listening and cheering you on, which will make things easier for you!
    • Choose well-known songs that are in your range. Can you reach the high notes without screaming? Can you reach the low notes? Make sure the melody is easy to hum and that you can feel the rhythm easily. Learn the melody and study it as thoroughly as you would study any other subject. Record yourself and listen back. Taking time to write out all the words will help you memorize them quickly.
    • Upbeat songs tend to be better crowd pleasers than slow songs. It should still be something that you enjoy singing along to, though, and make sure it's within your vocal range. "Twist and Shout" by the Beatles is a safe choice; for female vocals, go for ABBA, Gloria Gaynor, or Madonna; guys should look into Sinatra, and Tom Jones.[1] As you gain your confidence, you can choose more challenging or lesser known music.
  2. If you can get your hands on a karaoke machine, use it! Otherwise, you can usually dig up the karaoke version of a popular song on the Internet, and lyrics are easy to find. Play the song often, and sing it all the time. Sing while you're cleaning, during commercials, as you're washing the dishes...Practice makes perfect. You want to get to the point where you know the song by heart.
    • Try to get the instrumental tracks on cassette or CD so you can sing along without hearing the other singer. If you always practice singing with someone else's voice, you will never learn to lead with your voice. Background tracks to the most popular songs are gener­ally available at record stores and media outlets. Go to the Internet if you can't find them in your town.
    • When possible, practice while holding a microphone (or a hairbrush) since that's what you'll be doing when you perform.
    • To improve your karaoke, listen to the song with headphones and record yourself singing along. When you play it back, how do you sound?
    • If you have a full length mirror or, better yet, a camcorder, use it!
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  3. Singing is a very physical activity and requires a power source. Support your voice tone the way you would support your body when you're lifting something heavy. Get your legs under you, tuck your hips under, and use strength from the lower part of your body—as if you were lifting. Push the balls of your feet firmly into the floor. Try not to lift your chin; instead, keep your head rounded over the microphone with your chin lower in the front. This makes the tone sound warm and resonant.[2]
  4. Actually think about what the words mean. It's surprising how much better we sound when we really mean what we're saying. Choose songs that are age-appropriate so you're not trying to be convincing in a song about your six kids and three divorces.
  5. Try writing down all the things they think could go wrong-going off pitch, forgetting the words, falling down-whatever they fear most. Then sing and make all those mistakes—just do a terrible job. This is not as easy as it sounds. You'll find it's almost as hard to be terrible as it is to be perfect, but once you've done it a few times, you'll find this exercise helps put your performance fears to rest.[3]
    Beyoncé Knowles
    Beyoncé Knowles, Singer & Businesswoman

    If you experience nerves, channel them so that they fuel you. "I think it's healthy for a person to be nervous. It means you care – that you work hard and want to give a great performance. You just have to channel that nervous energy into the show."

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Part 2
Part 2 of 2:

Preparing and Performing

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  1. Visit a few different karaoke bars and clubs and look for the following:
    • Is there a supportive crowd? Some karaoke venues have regulars who are friendly and who cheer each other on. That's what you're looking for--not a place with high "turnover" and bad sports who complain about bad singers.
    • Does the singer have to face the audience? Check how the screens are arranged. You might want to have the option of facing away from the audience so that if you get too nervous, you can look at a screen that doesn't force you to look at the audience.
  2. In East Asia, karaoke is often enjoyed in a more private setting, rather than in bars or clubs. You can rent a karaoke-equipped room by the hour or half-hour and share the costs with a few friends. This is an excellent way to ease into karaoke because you can hand-pick your audience. Karaoke boxes aren't as common in other parts of the world as they are in East Asia, but it's definitely worth looking into. They're very popular in New York City and the San Francisco Bay Area, and they might be found wherever there's a strong Asian community. You can also investigate how much it costs to privately rent an actual karaoke-equipped venue; if you get enough people together to chip in, it could work.
  3. Before you take the plunge and sing by yourself, find a decent singer to do karaoke with. It should be someone who's already comfortable singing in public, and who can garner a little bit of cheering and clapping. You might be nervous the whole time, but in the end, when it's over and done with, you'll feel good about having performed, and the next time won't be as intimidating.
  4. Getting up to sing is a chance to act out your "star" fantasies. Go all the way. Find the "ham" in you. Wear some glam clothing, do some rock and roll moves, sing your heart out. In truth, most people would rather see you succeed than fail, and giving a full-out performance will always go over better than hanging back. Trust me. Things don't improve when you sound as if you're apologizing for giving such a rotten, worthless performance.
  5. Once you've picked a venue, go regularly, and be a good sport. Cheer everyone on. Clap after every song. Avoid wincing when someone's voice cracks. It's good karaoke karma, because eventually when you get up to sing, they'll recognize you and they'll cheer you on. Also, you'll recognize them, and they won't feel like strangers anymore.
  6. This, of course, is the most important part. Smile, move to the music, and enjoy your time in the spotlight. You're not there to impress people--you're there to have a good time, and the audience wants to have a good time with you, so be bold and sing your heart out.
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Community Q&A

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  • Question
    How can gain the confidence to sing Karaoke alone if I'm used to singing with friends?
    Community Answer
    Community Answer
    Take a deep breath and imagine your favorite person in the audience sooner or later you will forget about there's people there. The people will cheer you on if they sense this is your first solo and that you are nervous. You can even mention it's your first time or that you're just beginning and need their support.
  • Question
    Are lyrics available on a screen while you sing or do you need to bring lyrics?
    Community Answer
    Community Answer
    The majority of bars and pubs will have lyrics and instrumentals available for you on a screen. The lyrics will start off usually white and turn blue as you sing the word and will stay blue if you need to hold a note.
  • Question
    How can I sing in the correct pitch on stage if I can't hear my voice?
    Community Answer
    Community Answer
    This takes some time and the trick is to work on it at home excessively. Play a note, then bring your voice to that pitch. Notice how the muscles feel and what your throat and vocal chords feel like when you sing the note. Do that exercise with one note at a time for a few minutes every day and you will eventually have a better idea of what the pitches feel like rather than sound like.
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Tips

  • When you're scoping out venues, pay attention to what the regulars' signature songs are, and try to make sure you don't pick one of those as yours. Not only is it better for the audience (who wants to hear the same song twice?) but it's also good karaoke etiquette.
  • Remember that most people are there just to have fun. Most people won't care if you're a great singer or not, as long as you're at least somewhat on pitch.
  • Asian-style karaoke boxes are private practice rooms where you can hire a room for yourself and close friends so you can sing in a small group before performing in Western-style open talent-quest-like karaoke environment.
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Warnings

  • Don't assume you have to get drunk to do karaoke. Following these steps will help. Besides, you want to have the audience singing with you, not laughing at your slurred lyrics. If a drink does help you loosen up, have one (but not four).
  • Make nice with the host or hostess. If you end up waiting a long time before your song is up, or if you find that your microphone volume isn't ideal, or if the screen lyrics don't quite match up with the music, pick your battles carefully, and don't be a diva. A host with a grudge is not very conducive to your karaoke career.
  • Guys, think twice before choosing a song from Queen. Freddie Mercury was trained to sing opera before his rock career got started. Ladies, avoid songs from Pat Benatar for the same reason. Make sure you really know the song you are going to sing as it really helps.
  • Avoid songs with long solos or instrumental breaks unless you're an air guitar master or can do a little dancing to keep the audience entertained.[4]
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About This Article

Tanisha Hall
Co-authored by:
Vocal Coach
This article was co-authored by Tanisha Hall. Tanisha Hall is a Vocal Coach and the Founder and Executive Director of White Hall Arts Academy, Inc. an organization based in Los Angeles, California that offers a multi-level curriculum focused on fundamental skills, technique, composition, theory, artistry, and performance at a conservatory level. Ms. Hall's current and previous students include Galimatias, Sanai Victoria, Ant Clemons, and Paloma Ford. She earned a BA in Music from the Berklee College of Music in 1998 and was a recipient of the Music Business Management Achievement Award. This article has been viewed 293,833 times.
7 votes - 85%
Co-authors: 38
Updated: September 15, 2024
Views: 293,833
Thanks to all authors for creating a page that has been read 293,833 times.

Reader Success Stories

  • Cecilia D'Mello

    Cecilia D'Mello

    Feb 20, 2017

    "Very useful tips, especially for those who are starting out. Good tip to sing a signature song that you are..." more
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